The 21st Annual Harlem Film Institute Film Festival

The 21st Annual

Film Festival

Welcome to The 21st Annual Harlem Film Institute Film Festival. We kick off this years festival with my introduction to the world of professional film making. In 1986 i started out as a production assistant on the set of the  Heavy D and the Boyz music video,  “Mr. Big Stuff”.The video was produced by the Hudlin brothers, Reggie and Warrington Hudlin, founders of the Black Filmmaker foundation.

“Mr. Big Stuff”  Directed by: Reggie Warrington 1986

The second film was shot in 1998. “The Million Youth March 1998”  documents the rally led by the now deceased, Dr. Khallid Abdul Muhammad. This documentary was screened at the first film festival,  in 1999.

 

“The Million Youth March 1998”  Directed by: Melvin Best 1998

The final film was made my senior year,  at the City University of New York. “The Empty Garden”, my undergrad work, was done under the tutelage of my professors,  Kathleen Collins and Ayoka Chensira.

 

“The Empty Garden” Directed by: Melvin Best 1988

 The 2nd Annual Harlem Film Institute Film Festival

August 24th, 2000

 

HFI Hall of Fame

1999- Oscar Micheaux (1885-1951)

2000- Melvin Van  Peebles

2001-Gordon Parks (1912-2006)

2002 -Noble Johnson (1881-1978 )

2003-Spencer Williams (1893-1969)

2004-Ivan Dixon (1931-2009)

2005-Sidney Poitier

2006-Clarence Muse (1889-1979)

2006-Charles Burnett

2007-Kathleen Collins (1942-1988)

2007-William Greaves (1926-2014)

2008-Michael Schultz

2009-Maya Angelou (1928-2014)

2010-Spike Lee

2011-Julie Dash

2012-Robert Townsend

2013-Reggie Hudlin

2014-Steve McQueen

2015-F Gary Gray

2016-Barry Jenkins

2017-Albert Hughes

2018-Warrington Hudlin

2019-John Singleton (1968-2019)

2020-Ava DuVernay

God Speed Mary W. Jackson, God speed!

NASA Names Headquarters After ‘Hidden Figure’ Mary W. Jackson

Photo of Mary W. Jackson
Mary Winston Jackson (1921–2005) successfully overcame the barriers of segregation and gender bias to become a professional aerospace engineer and leader in ensuring equal opportunities for future generations.
Credits: NASA

NASA Administrator Jim Bridenstine announced Wednesday the agency’s headquarters building in Washington, D.C., will be named after Mary W. Jackson, the first African American female engineer at NASA.

Jackson started her NASA career in the segregated West Area Computing Unit of the agency’s Langley Research Center in Hampton, Virginia. Jackson, a mathematician and aerospace engineer, went on to lead programs influencing the hiring and promotion of women in NASA’s science, technology, engineering, and mathematics careers. In 2019, she was posthumously awarded the Congressional Gold Medal.

“Mary W. Jackson was part of a group of very important women who helped NASA succeed in getting American astronauts into space. Mary never accepted the status quo, she helped break barriers and open opportunities for African Americans and women in the field of engineering and technology,” said Bridenstine. “Today, we proudly announce the Mary W. Jackson NASA Headquarters building. It appropriately sits on ‘Hidden Figures Way,’ a reminder that Mary is one of many incredible and talented professionals in NASA’s history who contributed to this agency’s success. Hidden no more, we will continue to recognize the contributions of women, African Americans, and people of all backgrounds who have made NASA’s successful history of exploration possible.”

Mary W. Jackson NASA Headquarters building in Washington, D.C.
Mary W. Jackson NASA Headquarters building in Washington, D.C.
Credits: NASA

The work of the West Area Computing Unit caught widespread national attention in the 2016 Margot Lee Shetterly book “Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race.” The book was made into a popular movie that same year and Jackson’s character was played by award-winning actress Janelle Monáe.

In 2019, after a bipartisan bill by Sens. Ted Cruz, Ed Markey, John Thune, and Bill Nelson made its way through Congress, the portion of E Street SW in front of NASA Headquarters was renamed Hidden Figures Way.

“We are honored that NASA continues to celebrate the legacy of our mother and grandmother Mary W. Jackson,” said, Carolyn Lewis, Mary’s daughter. “She was a scientist, humanitarian, wife, mother, and trailblazer who paved the way for thousands of others to succeed, not only at NASA, but throughout this nation.”

Jackson was born and raised in Hampton, Virginia. After graduating high school, she graduated from Hampton Institute in 1942 with a dual degree in math and physical sciences, and initially accepted a job as a math teacher in Calvert County, Maryland. She would work as a bookkeeper, marry Levi Jackson and start a family, and work a job as a U.S. Army secretary before her aerospace career would take off.

In 1951, Jackson was recruited by the National Advisory Committee for Aeronautics, which in 1958 was succeeded by NASA. She started as a research mathematician who became known as one of the human computers at Langley. She worked under fellow “Hidden Figure” Dorothy Vaughan in the segregated West Area Computing Unit.

After two years in the computing pool, Jackson received an offer to work in the 4-foot by 4-foot Supersonic Pressure Tunnel, a 60,000 horsepower wind tunnel capable of blasting models with winds approaching twice the speed of sound. There, she received hands-on experience conducting experiments. Her supervisor eventually suggested she enter a training program that would allow Jackson to earn a promotion from mathematician to engineer. Because the classes were held at then-segregated Hampton High School, Jackson needed special permission to join her white peers in the classroom.

Jackson completed the courses, earned the promotion, and in 1958 became NASA’s first Black female engineer. For nearly two decades during her engineering career, she authored or co-authored research numerous reports, most focused on the behavior of the boundary layer of air around airplanes. In 1979, she joined Langley’s Federal Women’s Program, where she worked hard to address the hiring and promotion of the next generation of female mathematicians, engineers and scientists. Mary retired from Langley in 1985.

In 2019, President Donald J. Trump signed the Hidden Figures Congressional Gold Medal Act that posthumously awarded the honor to Jackson, who passed away in 2005, and her “Hidden Figures” colleagues Katherine Johnson, Dorothy Vaughan, and Christine Darden.

In 2017, then 99-year-old Katherine Johnson was there to personally dedicate a new state-of-the-art computer research facility the bears her name at Langley. Johnson, another original member of the West Area Computing Unit, also was honored as a trailblazer and given the Presidential Medal of Freedom in 2015. In addition, Johnson was part of the group honored with the Congressional Gold Medal, and NASA’s Independent Verification and Validation facility in Fairmont, West Virginia, also bears Johnson’s name.

“NASA facilities across the country are named after people who dedicated their lives to push the frontiers of the aerospace industry. The nation is beginning to awaken to the greater need to honor the full diversity of people who helped pioneer our great nation. Over the years NASA has worked to honor the work of these Hidden Figures in various ways, including naming facilities, renaming streets and celebrating their legacy,” added Bridenstine. “We know there are many other people of color and diverse backgrounds who have contributed to our success, which is why we’re continuing the conversations started about a year ago with the agency’s Unity Campaign. NASA is dedicated to advancing diversity, and we will continue to take steps to do so.”

For additional information on Mary W. Jackson, the “Hidden Figures,” and today’s Modern Figures, visit:

https://www.nasa.gov/modernfigures

-end-

Bettina Inclán / Matthew Rydin
Headquarters, Washington
202-358-1600 / 202-603-7522
bettina.inclan@nasa.gov / matthew.m.rydin@nasa.gov

Last Updated: June 25, 2020
Editor: Sean Potter

Coming Attractions 2020








Spike Lee is first black person to lead Cannes Film Festival jury

Lee succeeds Alejandro G. Iñárritu, whose 2019 jury awarded the Palme d’Or to Korean director Bong Joon-ho’s “Parasite.”
Image: Spike Lee

Spike Lee poses during a photo call for the film “BlacK Klansman” at the 71st edition of the Cannes Film Festival in Cannes, southern France on May 15, 2018.Alberto Pizzoli / AFP – Getty Images

By Gwen Aviles

“BlacK Klansman” director Spike Lee will lead the Cannes Film Festival’s 2020 jury, the festival announced on Tuesday.

Lee will be the first black person in the French festival’s 73-history to serve as jury president, presiding over the body of artists who choose which films will receive an award. He succeeds Alejandro G. Iñárritu, whose 2019 jury awarded the Palme d’Or, the highest prize awarded at the film festival, to Korean director Bong Joon-ho’s “Parasite.”

“In this life I have lived, my biggest blessings have been when they arrived unexpected, 
when they happened out of nowhere,” Lee wrote in a statement. “When I got the call that I was offered the opportunity to be President of Cannes Jury for 2020, I was shocked, happy, surprised and proud all at the same time.”

Lee, 62, has a long-established history with the festival, dating back to 1986, when his first feature film “She’s Gotta Have It” won the Prix de la Jeunesse in the
 Director’s Fortnight. Several of his subsequent films, including “Do the Right Thing” (1989), “Jungle Fever” (1991), “Summer of Sam” (1999) and “Ten Minutes Older” (2002) have also been recognized by the festival in various capacities. Lee’s latest movie, “”BlacK Klansman” (2018), won the Grand Prix at Cannes, which Lee credits with being the “launching pad” for the film’s global theatrical release and 2019 Academy Award win for best adapted screenplay.

Ava DuVernay Celebrates Black History Month with Black Cinema
By BGN Staff -January 18, 20200405
ARRAY

Premiering on Netflix February 5th is They’ve Gotta Have Us, a dynamic chronicle of art, activism and race in Black Cinema featuring in-depth interviews with some of Hollywood’s most iconic voices.
They’ve Gotta Have Us was conceived, produced and directed by Simon Frederick, a UK-based self-taught artist, photographer, filmmaker and broadcaster. The series features revealing interviews with many barrier-breaking filmmakers and stars, including Diahann Carroll, John Singleton, Kasi Lemmons, John Boyega, Harry Belafonte, Robert Townsend, David Oyelowo, Whoopi Goldberg, Laurence Fishburne, and Barry Jenkins.

The series also includes clips from and commentary about such seminal films as Carmen Jones, Claudine, Lilies of the Field, Do The Right Thing, Boyz in the Hood, Hollywood Shuffle, Black Panther and Moonlight.

“As a company whose mission is to amplify the voices of people of color, They’ve Gotta Have Us speaks directly to our highest ideas of inclusion, cultural context and community. Not only are we introducing an exciting artist like Simon Frederick to a new audience, but his project shares the stories of Black Cinema’s most influential filmmakers and actors,” said ARRAY President Tilane Jones.

ARRAY was founded in 2010 by Ava DuVernay.

Just make more Black films